El Paso Symphony Orchestra
Bohuslav Rattay, Conductor Katie Travis, Soprano and the UTEP Choral Union
Celebrate the sparkling sounds of the holidays – Broadway style! Treat the entire family to an evening of musical cheer with the El Paso Symphony and the joyful voices of the UTEP Choral Union and special guest soprano Katie Travis.
featuring Holiday favorites like Sleigh Ride, White Christmas, Silent Night, Let it Snow, Joy to the World, Believe from Polar Express, Hallelujah Chorus and more!
KATIE TRAVIS is an award-winning singer/actor best known for playing Christine Daae in The Phantom of The Opera for over 700 performances throughout North America. Broadway: The Phantom of the Opera Regional: Cosette in Les Miserables at The MUNY, Fireside Theater, Liederkrantz Opera Theater. Katie has performed with the Saginaw, Midland, El Paso and Mt Rainier Symphonies. In the fall of 2022, Katie did a 37-city tour of Japan as a soloist with the Orchestra Japan in their “Disney On Classic” show. She is a winner of the Lys Symonette award in the Lotte Lenya Competition.
Beethoven & Shostakovich February 18 & 19, 2022, 7:30pm Plaza Theatre
El Paso Symphony Orchestra Bohuslav Rattay, Conductor
Beethoven Symphony No. 5, op.67, C minor Shostakovich Symphony No. 5, op. 47, D minor
This programming replaces the originally programmed Ode to Joy. Due to Covid, the Ode to Joy could not be performed. For further information call (915) 532-3776.
Jorge Martin El Paso Requiem* [World Premiere]
with UTEP Choral Union Jamille Lea, Soprano; Cherry Duke, Mezzo-Soprano Brian Downen, Tenor; James Carney, Cello
*Commissioned by Communities for Peace; a historic partnership of El Paso Pro-Musica, El Paso Opera, El Paso Symphony Orchestra and the University of Texas at El Paso Music Department, in tribute to the victims and survivors of the August 3, 2019 attack in El Paso.
“A Communal Act of Remembrance for the Victims of Random Gun Violence in America Specifically for the 23 who lost their lives from the shooting in El Paso, Texas on August Third, Twenty-Nineteen,” Jorge Martin